Choreographer Tercia Amsterdam realises her dream

Beverley Brommert|Published

Choreographer/dancer/teacher Tercia Amsterdam has proved that dreams can come true with a combination of vision and perseverance: on graduating from the UCT School ...

Tiger Bay the Musical review: Strong music and moving message

Beverley Brommert|Published

Like Les Misérables and Phantom of the Opera, Tiger Bay the Musical is a spectacular work that affords its vocalists ample scope to show their mettle.

Fascinating journey of life, love and loss

Beverley Brommert|Published

This play charts the evolution of a universal love story: boy meets girl; edgy relationship mellows into abiding love; commitment follows.

French farce with satirical bite that strikes home

Beverley Brommert|Published

Molière?s heady amalgam of farce, social satire and psycho drama receives vivid interpretation in this new production of the 17th century masterpiece.

Marat/Sade review: Disturbing parallels to SA

Beverley Brommert|Published

The year of the murder is 1793, the play is staged in 1808, and the issues raised in the course of its performance are uncomfortably relevant in the South Africa ...

Dark opera reset in African urbanscape

Beverley Brommert|Published

However one approaches it, Verdi’s Rigoletto is a dark opera, and director Marthinus Basson’s current production for Cape Town Opera does nothing to minimise the ...