'The Hand That Rocks the Cradle' reboot brings a twisted new spin to the ’90s classic - but does it deliver?

Reboots have become a revolving door in Hollywood, whether it’s a TV series or film. 

Recently, “The Hand That Rocks the Cradle” dropped on Disney+. It is loosely based on the 1992 movie of the same title, helmed by Annabella Sciorra, Rebecca De Mornay, Matt McCoy, and Julianne Moore.

Directed by Michelle Garza Cervera, the premise has been tweaked by Micah Bloomberg.

The story centres on Caitlyn Morales (Mary Elizabeth Winstead), an attorney, who recently gave birth to her second daughter, Josie (played by Nora & Lola Contreras). 

She has the picture-perfect life with her supportive husband, Miguel (Raúl Castillo), and young daughter Emma (Mileiah Vega).

What starts as an incidental meeting with Caitlyn representing Polly Murphy (Maika Monroe) before giving birth evolves when they bump into each other months later. 

Down on her luck, Polly quickly ingratiates herself into the family as the new nanny. 

At first, she appears to be heaven-sent. 

However, a series of questionable events leaves Caitlyn taking a closer look at Polly. And she isn’t the only one. Caitlyn’s friend Stewart (Martin Starr) does the same, with tragic consequences.

This is a psychological thriller. It follows a blueprint that isn’t unfamiliar to fans of the genre. The drama is offset by paranoia, which fuels the suspense.

Monroe plays the duality of her character well. She starts on an endearing note, where she worms her way into staying at the residence; however, it quickly changes. 

As the story plays out, it is obvious that she has an agenda and that she loathes Caitlyn. As such, she starts creating dissension in the family by using Emma as a pawn. 

The film explores themes of revenge, guilt, trauma, motherhood, and ambiguous morality.

Overall, it gives “Single White Female” meets “When the Bough Breaks” vibes. 

Unfortunately, the performances are nothing to write home about - don’t even get me started on that hamfisted climax. 

This option is perfect if you need a distraction that doesn't demand your full attention.

Rating: ** significant flaws but some merit.