BIG-screen comedies of late have been crowded with female characters guzzling alcohol and getting dirty on the dance floor, cursing up a storm and causing a ruckus, ...
IN THE annals of shamelessly invasive movie mothers, The Meddler’s Marnie Minervini (Susan Sarandon) ranks up there.
THE bar for studio comedies has sunk so low that when one comes along and doesn’t bludgeon you with its ineptness, there’s a temptation to lavish praise on it.
AUSTRALIAN filmmaker Jocelyn Moorhouse has had an odd career.
IT SEEMS like yesterday that Bridesmaids was being touted as definitive “proof” – as if such a thing were necessary – that, yes, women could be funny.
Now that awards season is upon us, allow me to suggest a new category: Most Extravagantly Wasted Cast.
Electronic dance music, or EDM, may induce spasms of loathing in many, but it seems to be having a bit of a moment at the movies.
The first version of the script for The Wedding Ringer, a new comedy about a friendless schlub who rents a best man for his big day, was written back in 2002 - a ...