A MONSTER movie whose stranded-teen heroes are more likeable than usual, Henry Joost and Ariel Schulman’s Viral imagines a parasitic outbreak in which, just maybe, ...
SAUSAGE Party, an R-rated comedy about food products waiting to be sold at a supermarket, begins unpromisingly, with a musical number so effing gratuitously overstuffed ...
MOVIEGOERS, approach with caution any movie in which Christopher Walken, a source of eccentric charm in too many undeserving films, wields magic powers to fix men ...
IF YOU cringe at a scene early on, in which two new lovebirds hurl knives at each other, each catching the blades in midair because they're just so in tune, feel ...
BY THE standards of Hollywood, where the word usually means “the same thing again, with a roman numeral after the title”, Richard Linklater’s Everybody Wants Some ...
A TALE of code-switching, the enduring appeal of George Michael’s Faith and a feline who is all kittens to all people.
JAMES Franco returns to the world of unreliable narrators in The Adderall Diaries, playing a memoirist forced to confront the malleability of his own childhood recollections. ...
MOST moviegoers don't know the story of Eddie Edwards, the plasterer who managed to represent Great Britain in the 1988 Olympic ski-jumping contest despite a startling ...
A Christmas comedy whose warm and fuzzy theme doesn't get in the way of the hedonistic action fuelling its laughs, Jonathan Levine's The Night Before reminds us ...
A SOUR attempt at midlife-redemption feel-good fare, Tom Vaughan’s How to Make Love Like an Englishman watches an aging cad as he finally encounters the joys of ...
In the world of the apostrophe-challenged Scouts Guide to the Zombie Apocalypse, zombies can shoot guns, roller-skate and sing Britney Spears songs.
WISH-fulfilment turns to home invasion in Knock Knock, the latest titillation-fuelled thriller from Eli Roth.
SMART-ass charmer, merciless tearjerker and sincere celebration of teenage creativity, Alfonso Gomez-Rejon’s Me and Earl and the Dying Girl got a standing ovation ...
Twenty years is a long time to stay faithful to a pleasure as disposable as Dumb and Dumber, the aptly titled 1994 debut of Peter and Bobby Farrelly.
A fable-like horror mystery with strong comic and romantic tendencies, Aja's Horns draws on source material by cult scribe Joe Hill (Stephen King's son), to deliver ...
